New to the public / released from the vaults. Two studio sessions built in East Van in some condensed vibe out sessions with Daniel Rincon (NAP, Isla). Getting some nice traction so far.
Mastered by Nik Kozub. Art by Shy aka Special Guest DJ.
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New to the public / released from the vaults. Two studio sessions built in East Van in some condensed vibe out sessions with Daniel Rincon (NAP, Isla). Getting some nice traction so far.
Mastered by Nik Kozub. Art by Shy aka Special Guest DJ.
Oro Azul, Michael Red & Ultima Esuna, drops 'Water Seeds EP' on Mood Hut to a very pleasant response.
Reviews from Philip Sherburne, Bandcamp Daily, Resident Advisor, Ban Ban Ton Ton, Test Pressing below. The Boomkat and Oye Records write ups feel good, and feedback from peers and tracks popping up in mixs has been nice too. And a nod from the legendary Svebbe, plus a feature on the New in Electronic playlist from Apple Music.
^ from celebrated writer Philip Sherburne on his Futurism Restated platform
^ from bandcamp daily’s best ambient music on bandcamp, march 2024
^ from ban ban ton ton
^ from test pressing
^ from boomkat
Souns live performance recording from ‘Drop Cities’ (Feb 19, 2023), a special 2 day festival put together with great care by Hotham Sound, released on bandcamp, and youtube.
live video projections by C130, live camera footage mixed and treated by SPINY JIM and live broadcasted on RedGate TV.
audio materials used: mackie line mixer (using in house reverb) standard microphone mod’d rigsmith dub siren mod’d monotron delay cell phone playing prepared mix of nature sounds (randomly sampled) pioneer rx2, live looping and manipulating tracks:
energy & thoughts present:
spontaneous upload for bandcamp friday. directly support here: michaelred.bandcamp.com/album/discovery-dub
this was created as a studio exercise while re-building my analog set up in my studio for dubwise ('rhythym and sound' related) productions, in the fall of 2020. i made a series of recordings of very improvised / guided / instinctual recordings, while calibrating this set-up (to be ready to create in that way, right away, if the inspiration or a project landed). the bass is played live on a real 'kee bass' unit (that happened to be in the trash at the studio when i first moved in. ..talk about divine). this track has very little edits and is true to form of how the mixer and fx and set-up was played, how instinct was followed, and how guidance interacted.
very little post-treatment was done to the recording off the board too (also, talk about how & why analog is better in many ways and captures certain things). so this track is technically un-mastered. i just couldn't touch it. it didn't want to be touched. ..maybe i'll get around to seeing about a pro touching it at some point.
'discovery dub (raw loop)' was created in ableton, then looped and fed into the analog set-up - resulting in the full featured "version".
best and brightest to you. shine a light. reveal the shadows. love over everything.
subtractions and abstractions from
'Mount Dilaudid' by Mahmood Schricker and Michael Red
directly support here: michaelred.bandcamp.com/album/mount-dilaudid-dubs
four versions, created with knowing nods to tradition
- kept raw & immediate, with little pre-emptive thought, and no backwards movements or second-guessing. reacting on instinct and first inspirations. "live" or the spirit of "live".
- no new sounds. only source sounds from the original tracks
- maintaining the original structure of each track in most cases. and when not the case - breaking that structure boldly, but locking to the first new structure mapped out.
- heavy on the hypnotics, delays and reverbs
- heavy-handed on the subtraction. many principle elements of the original work were fully removed immediately, to force a deeper exploration and revealing of what's underneath and beside.
- making sure to actually experiment and come with new ideas and methods. and when using established methods and sounds, doing so respectfully and knowingly.
deepest respect the original dub innovators, and to all who push the sound. thank you to Mahmood, and acknowledgement to the music and players which inspired him. these dubs would not exist with out the originals they abstract from.
mixed, produced and (roughly) mastered by Michael Red
photo by Rojin Surreah
first release of 2022 is Mount Dilaudid. co-produced, co-written and mixed for Mahmood Schricker (with the exception of the last track). Mahmood's vision was the music of Iran (an homage to prominent figures Parisa, Delkash and Zolfonoon) meets the dub side of dub techno. mastered by Scape Mastering.
BANDCAMP / SOUNDCLOUD / YOUTUBE / APPLE / SPOTIFY
after many months of filtering through the srchives - a good couple handful of older mixs from various eras have been posted to the soundcloud. some are re-posts that were missing for a few years after a somewhat accidental soundcloud purge, and some are never=heard-before mixs from the vaults.
this was in partial preperation for some brand new mixs to be shared. one of which has already gone up: true self mix
"Trance-atlantic psychedelia from Michael Red (Souns/ Chambers) and Daniel Rincon (NAP/ Ambien Baby). Cavernous dubs of dembow-infused polyrhythms and tripped-out electronics. Made between the Sunshine Coast and Vancouver, British Columbia, Summer 2018."
track premiere via RANSOM-NOTE.
mahmood schricker's latest album 'el muerte' is out now, featuring a michael red remix of 'shanaz' and a mix credit on the 'shanaz' original track and 'opa shahr'.
From 'La Muerte' Album Mixed by Michael Red ---- For Opa Inspired by Lena Willikens کوزه آبی و بوی نم به یاد راه اُپا شهر
sigma flare ll is out now on debacle records.
resident advisor announced it, tiny mix tapes did a premiere, ransom note had a first listen, and beatroute did an interview piece on it.
many thanks to all involved :)
full length cassette of edited live recordings from two intimate performances in vancouver in 2015. one at the emerald and one at the rio theatre (hence the track titles). very pleased to making the link with beacon sound on this - it's an incredible label that hosts a lot of great music. grab the digital/physical at bandcamp or the label website direct.
this is the second official release for chambers, with a third release soon hot on it's heels later this month on debacle.
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