a time and place, revisted

extremely pleased to announce my audio installation for +15 soundscapes a time and place, revisted is happening from now until the start of january. a network of discreet speakers spread across a downtown calgary city block playing a soundscape i created, 24 hours a day. many thanks to arts commons to selecting my work for this, constantine katsiris and sheena jardine-olade for helping prep my work behind the scenes. and extra special thanks to tanya tagaq for letting me use her voice in the work and hosting me in her home community of cambridge bay, which allowed for the whole thing to happen in the first place.

arts commons wrote up their own description of the project, so i figured i'd share the description, in my words, below..


A Time and Place, Revisited is a meditative sound journey of music and soundscapes created exclusively from audio recorded in and around Cambridge Bay, Nunavut. Invited by musical collaborator Tanya Tagaq, and an acclaimed Inuit throat singer, Michael Red flew up to the far north in 2006 to carefully record sounds from the land, life and Tanya in her home community. Sounds gathered include wind, rushing water, still water, slush, ice melting and crackling, birds, sled dogs, a qillauti (drum) played and tightened, swishing ulus (knives) together, fingers running through furs and feathers, objects being banged and clanging together at the community dump, the 10 o'clock siren, kids laughing and playing, and Tanya singing and experimenting with her voice. Over the course of three years, back in Vancouver, Red meticulously processed and categorized the three weeks of raw material he recorded and shaped them into a comprehensive sound library. This library includes full sets of drums, percussion, bass, melodic instruments, and atmospheres - all created the recordings from up north and computer software process's. Michael has used parts of this library in performance with Tanya, as well as in part of a installation for CODE:live (part of the 2010 Olympics), but never dove deep in the full expanses of the nunavut sound library until now.

A Time and Place, Revisited is a continuous cycling mix of the songs, soundscapes and sound art inspired by, and made from, the Canadian Artic. It is intended as a cyclical story that can be picked up anywhere, moving between the quieter moments of ambient field recordings and more dramatic areas like beat-driven songs. It is a sound expression of an experience - a compilation of ideas, emotions and expressions inspired from land above the treeline.


A Time and Place, Revisited is a journey that engages the listener in a similar way to how they might experience the north themselves: quiet contemplations, wildly raw and powerful moments, mysterious and magical diversions, simple natural beauty.

This work is very much “alive”. Finding the life in raw audio recordings of things like wind and water, and allowing space for that life to speak in it's own voice.

The first appearance of this work was part of an art installation for the Vancouver 2010 Olympics. This is a further developed and refined version of that work, hence the “revisited” in the title.


hello to fall / thank you to summer

needless to say summer was loaded with interesting and fun and fullfilling times. i kept meaning to update the news feed with all that was happening but (as is the typical story) i was way too busy with shows, other music work, general life and finding precious pockets of time to unwind and ground. i'll be catching up on everything here soon enough. for now, here's some words i dropped on facebook recently that sheds a little light. plus a pic beach fire i had with a few friends, here on the sunshine coast.

  • just tying up producing and mixing 3 songs for a friend's next album. pro gig, aimed at radio and pop sphere. very exciting to be building on those skills and experience.
  • starting a project scoring an exciting dance performance to be toured nationally. 20 minutes of material.
  • next release on low indigo will be a collab between myself and international-name/honourary-vancouverite
  • i have a public audio installation running for 3 months, 24 hours a day, in downtown calgary very soon. very excited about that one.
  • other projects in the works on the sound design and musical scoring tip.
  • been a heavy focus for over the past year(s) that i get my livePA to the point of where i feel it matches a similar quality/versatility/impact as my dj sets. this past summer was the goal to show people that. i feel like i got there. very pleased with that.
  • curated two rooms of talent for new forms festival. extremely excited about that coming up in october.
  • trying out dj'ing some things in roberts creek this fall, sunshine coast. honestly didn't think the scene was here but HOLY - a thing i played in august proved that idea wrong.
  • i hardly ever bring out-of-towners to vancouver ever more. i gotta genuinely be a fan and excited about it and see the need for van to have them (lots of other promoters bringing great names to van these days - so way less voids to fill, compared to years past). ..this thursday i'm bringing HODGE through the red gate with some rock solid locals. VERY STOKED.
  • put up a few mixs last week. one official, my diversity fest afternoon set, and one less official (non-friends might needa dig a lil). i desperately want to get more mixs up online and into hungry ears and souls, but it takes time for me to prep mixs (i like to go thru recordings from shows many times thru and tidy up eq's and volumes - so they work on any playback system and stand the test of time a bit). ...so, believe me, i am the one who is MOST aware of pending sets i "owe" the internet. it/they will get done as soon as i have the window of time. sets from basscoast (including 2015) and shambhala are at the top of the cue. paid music projects and releases of my own original music take precedent (i am and was and will always be an artist way ahead of being a dj).
  • official healing/transcendant guided sound sessions i want to do more of. if you have budget and space/opportunity - hit me up. this area of work can/could be potentially be partly/all "in kind" (team earth) but you gotta have the right setting and vibes.
  • i had a recent vision that might be one of my ultimate callings (finally saw clearly what some central piece looks like). seeds have been cultivating for years (decades really), and been "talking" for years about how next summer might be the one, but .. next summer might be the one. ;)
  • osh, and also a nice handful of releases i'm excited about as well. some appearances on others albums and some solo mred and souns stuff.
  • personal life transitions been heavy for a while now ..like they have been for many of us. hugs
  • other stuff. this is a snapshot for this sunday, sept 11. love you

thanks KAMP and BASS COAST

had a stellar time in the BC interior that last couple weeks.

KAMP was a really sweet time. i would totally recommend. really enjoyed soaking up the "kamp" vibes and making a few new friends. did a sound journey workshop which i thought went particularly well, and might make a point to do more of, and had fun with the mainstage set on saturday night. go team blue

BASS COAST is pretty much a local legend and now a garunteed sell-out each year. so solid. through and through. didn't catch a set i wasn't feeling. it was gift to deliver an umcompromising live set on the closing night. very thankful to be part of that fam. long live bass coast.


souns @ pretty good not bad

wanted to take the time to thank the team from the first annual pretty good not bad festival in victoria, bc.

great performances from laurel halo, loscil, sean evans, chris dammeyar, compzit, magnetic ring, emp interactions, liquid transmitter, and the local dancers and drummers who opened the ambient picnic. it was especially a treat to live collab with loscil. had a good time during my souns set as well.

thanks all

chambers 'satellites' on beacon sound

full length cassette of edited live recordings from two intimate performances in vancouver in 2015. one at the emerald and one at the rio theatre (hence the track titles). very pleased to making the link with beacon sound on this - it's an incredible label that hosts a lot of great music. grab the digital/physical at bandcamp or the label website direct.

this is the second official release for chambers, with a third release soon hot on it's heels later this month on debacle.